Singles That Killed an Era in The 2020s

This video highlights eight singles (0:10) released in the 2020s that significantly hindered or "killed" the intended success of their respective album eras due to various reasons, from poor reception to controversy and misguided promotional efforts (0:03).

The featured singles include:

"Yummy" by Justin Bieber (0:16): This song suffered from a desperate rollout and failed to connect with critics and listeners, poisoning the Changes album era (0:43-1:11).

"J Christ" by Lil Nas X (1:37): Despite anticipation for his Dream Boy era, this single sparked immediate backlash due to its controversial religious imagery and underperformed commercially (2:00-2:32).

"Mother" by Meghan Trainor (3:03): Intended to capitalize on the viral success of "Made You Look," "Mother" was seen as inauthentic and failed to gain traction, leading to the fizzling out of her era (3:26-3:54).

"Think U The Sht (Fart)" by Ice Spice** (3:57): This lead single for her Y2K album was instantly mocked for its lyrics and faced accusations of copying, effectively killing the early hype (4:39-5:14).

"Falling Back" by Drake (5:34): Drake's pivot to house and dance music with this single from Honestly, Nevermind was met with harsh criticism for its boring production and failed to connect with fans (5:56-6:18).

"No Angels" by Justin Timberlake (6:44): Released as a follow-up single, "No Angels" was considered bland and failed to chart meaningfully, becoming the "nail in the coffin" for his Everything I Thought I Was album (7:13-7:43).

"I LUV IT" by Camila Cabello featuring Playboi Carti (7:50): This single, marking a chaotic hyperpop pivot for her CXOXO album, was called a "failed experiment" and alienated her fanbase, ending her mainstream success streak (8:19-8:58).

"Woman's World" by Katy Perry (9:03): Intended as an empowering anthem, this single was slammed for its hypocritical message due to her collaboration with Dr. Luke and was deemed musically cheesy, marking a career low (9:26-10:05).

When The Actor Has Too Much Range.......

This video essay explores the extraordinary acting career of Denzel Washington, highlighting his unique ability to deliver consistently powerful and intellectually engaged performances over four decades (0:00). The essay argues that Washington's strength lies not in extreme transformation, but in his meticulous refinement of characters, his control over intensity, and his profound understanding of moral tension (0:34).

The video analyzes several of his iconic roles:

Private Trip in Glory (1:35): Washington's portrayal of an escaped enslaved man in this Civil War drama showcases his ability to channel raw volatility and deep-seated anger, emphasizing resistance through restraint even in the face of humiliation (2:12).

Joe Miller in Philadelphia (4:39): This legal drama highlights Washington's nuanced depiction of a subtly prejudiced lawyer, whose gradual evolution is marked by eroding certainty and a reluctant confrontation with his own biases (5:00).

Alonzo Harris in Training Day (7:44): The video discusses Washington's chilling portrayal of a corrupt narcotics detective, emphasizing his radiating dominance, casual confidence, and the way he uses dialogue and charisma as tools of psychological manipulation (8:49).

John Creasy in Man on Fire (10:53): This revenge thriller features Washington as an emotionally inert former CIA operative whose transformation into a brutal force of vengeance is depicted with deliberate inversion, showing grief hardening into purpose (11:58).

Lord Macbeth in The Tragedy of Macbeth (14:51): In this abstract adaptation, Washington's Macbeth is defined by fatigue and belated ambition, portraying a man consumed by power, with his paranoia manifesting as withdrawal and emotional isolation (15:57).

The essay concludes that Denzel Washington's career is defined by his structural range—his ability to recalibrate presence, rhythm, and moral weight for each role (17:41). He understands control, knowing when to withhold and when to simplify, ensuring an interior logic guides every performance (17:55).

If I Chose the Oscar Winners 2026!

In this video, Brian, the host of The Awards Contender, shares his personal picks for the winners of the 98th Academy Awards, if he were an Academy member (0:04-0:12). He covers various categories, starting with the "below-the-line" technical categories and then moving on to the top eight major awards (0:25-0:29).

Here's a breakdown of his choices and reasoning:

Best Animated Feature: Brian chooses K-pop Demon Hunters, praising it as a "lovely surprise" (1:08-1:26).

Best Casting: Having worked in casting previously, Brian highlights the difficulty of the job and selects Marty Supreme for its creative and brilliant casting choices (1:30-2:56).

Best Cinematography: He picks One Battle After Another, his favorite film of the year, specifically commending the third act's car chase scene (3:34-5:01).

Best Costume Design: Brian leans towards Frankenstein due to the variety and superb quality of its costumes, especially Mia Goth's outfits (5:54-6:58).

Best Documentary Feature Film: He emotionally selects Come See Me in the Good Lights, an LGBTQ+ documentary about a couple's journey through illness (7:28-8:07).

Film Editing: Brian votes for One Battle After Another, emphasizing its extraordinary editing that seamlessly navigates different storylines and characters (9:19-10:27).

International Feature Film: His choice is Sentimental Value, which he considers brilliantly written, directed, and acted (11:00-11:49).

Makeup and Hair Styling: Brian's clear pick is Frankenstein for Jacob Elordi's "all-timer" makeup (12:24-12:52).

Best Original Score: He selects Bugonia for its boldness and creativity, though he also expresses disappointment that Marty Supreme wasn't nominated (13:36-14:23).

Original Song: Brian chooses "I Lied to You" from Sinners, appreciating its deeper role in the film's narrative compared to other nominees (14:45-15:27).

Production Design: He again picks Frankenstein, commending its outstanding production design that "wows the viewer" (15:30-16:37).

Best Sound: Brian's vote goes to Sinners for its phenomenal sound design, particularly the blending of music with action and terror scenes (17:08-17:40).

Best Visual Effects: He unequivocally chooses Avatar: Fire and Ash, acknowledging its astonishing and seamless visual effects work (17:45-18:59).

Best Adapted Screenplay: Brian selects One Battle After Another, driven by his desire to see Paul Thomas Anderson finally win an Oscar (19:23-20:28).

Best Original Screenplay: He picks Marty Supreme, considering it a masterpiece (20:51-21:43).

Best Supporting Actor: His vote goes to Shawn Penn for One Battle After Another, highlighting his "villain character for the ages" (22:44-24:43).

Best Supporting Actress: Brian makes it a "landslide" choice for Amy Madigan in Weapons, praising her impressive performance (25:53-26:32).

Best Actor: He chooses Timothy Chalamet for Marty Supreme, calling his performance an "all-timer" (27:40-28:45).

Best Actress: Brian picks Jesse Buckley for Hamnet, deeming it the "performance of the year" that deeply moved him (29:24-30:39).

Best Director: He again selects Paul Thomas Anderson for One Battle After Another, emphasizing his long-awaited Oscar win (30:42-32:30).

Best Picture: As his favorite film of 2025, Brian's ultimate choice for Best Picture is One Battle After Another (32:59-33:33).

20 Reasons America's Next Top Model Hasn't Aged Well

This video from MsMojo details 20 reasons why America's Next Top Model (ANTM) has not aged well, highlighting problematic aspects that have become more apparent over time (0:09-0:16).

Here's a breakdown of the key issues discussed:

Exploitation and Underuse of International Destinations (0:26-1:52): The show traveled to various fashion capitals but often underutilized these locations, using them as superficial backdrops rather than integrating local culture or fashion.

Lack of Compensation for Labor (1:52-2:57): Contestants reportedly worked long hours without proper breaks or legal wages, highlighting the exploitative nature of reality TV labor practices.

Focus on Drama Over Actual Modeling Skills (2:57-4:05): Later seasons prioritized manufactured drama, social media voting, and personal storytelling over teaching fundamental modeling techniques, diminishing the show's credibility.

Inconsistent Career Outcomes for Winners (4:19-5:26): Many winners struggled to achieve high-profile modeling careers post-show, with some finding more success in acting, contradicting the show's promise of fame.

Rescinding a Winner's Title Over Personal History (5:41-6:58): The controversial disqualification of Angelie Preston due to past work as an escort, despite producers allegedly knowing beforehand, highlighted the show's image protection tactics.

Manipulative Editing to Create Drama (6:58-8:02): Footage was often edited to amplify conflict, turn amicable relationships into feuds, and exaggerate personality traits for entertainment.

Ageism (8:14-9:05): The show increasingly marginalized contestants over their early 20s, mirroring industry ageism and contradicting claims of inclusivity.

Questionable Makeovers (9:18-10:36): Makeover episodes, though a signature moment, were often traumatic for contestants, involving extreme changes without full consideration for their well-being.

Contestants Turned Against Each Other (10:36-11:46): Producers allegedly stoked conflict among contestants through various tactics, creating manufactured rivalries and exploiting vulnerabilities.

Sleep Deprivation and Stress Production (11:49-12:54): Production intentionally induced stress by depriving contestants of sleep to elicit dramatic reactions and confrontations.

Tyra Banks's Behavior (13:10-14:24): Re-watching the series reveals problematic critiques from Tyra Banks and other judges, such as mocking a contestant for not wanting to fix a gap in her teeth.

Shading the Intellectuals (14:24-15:38): Contestants pursuing higher education were often discouraged from their academic paths in favor of focusing solely on modeling.

Personal Tragedy as Entertainment (15:38-17:15): The show exploited contestants' personal tragedies for dramatic effect, such as encouraging a contestant to use her grief for a photo shoot or pressuring another to face her trauma on camera.

Putting Contestants in Danger (17:15-18:20): Some photo shoots and challenges were hazardous, involving extreme conditions like walking in high heels on unstable runways or posing in frigid waters.

Pressure to Be Nude (18:20-19:40): Contestants were often pressured into nude photo shoots, with those uncomfortable facing criticism and shame.

Treatment of Disabilities (19:40-20:55): The show made no concessions for contestants with disabilities and often used their conditions to create drama.

Normalizing Toxic Behavior (20:55-22:05): Contestants endured inappropriate behavior, including kissing a racist model or experiencing sexual harassment, being told it was "part of the industry."

LGBTQ+ Discrimination (22:05-23:17): Despite including diverse contestants, LGBTQ+ participants like Isis King and Ebony Haith faced discrimination and lack of acceptance from fellow models and judges.

Cultural Appropriation and Black or Brownface (23:17-24:28): The show featured problematic photo shoots that treated ethnicity as exotic, including instances of blackface and cultural appropriation.

Obsession with Weight (24:43-26:12): Sizeism was a recurring issue, with models criticized for weight gain, and skinniness equated with health, leading to contestants struggling with eating disorders.

The 7 Levels of Singer

This video categorizes singers into seven distinct levels (0:00), from "Tone Deaf" to "God Tier," based on their vocal ability across various popular genres like Pop, R&B, Gospel, Country, and Rock.

Here's a breakdown of each level:

Tone Deaf (0:18-2:25): This level includes individuals who cannot sing under any circumstances, often making music for fun or for meme potential. Examples include Paris Hilton, Kim Kardashian, and certain autotune rappers who use the effect incorrectly.

Studio Magic (2:25-5:17): Artists at this level can hold a note and sound good on record but heavily rely on studio production (autotune, pitch correction) and may struggle with live performances. This category often includes former Disney and Nickelodeon child actors like Selena Gomez and Hillary Duff, as well as some influencers.

Not Bad (5:17-9:38): These singers can perform well with or without autotune but may have had notoriously bad live performances or their singing is considered basic. JLo, Britney Spears, Enrique Iglesias, Fergie, and Rihanna are placed in this level.

Great (9:38-14:56): This level features artists with good tone and control, who perform consistently well both on records and live. They understand their vocal strengths and limitations. Examples include Demi Lovato, Bruno Mars, Billie Eilish, Harry Styles, and Justin Bieber, as well as many top country artists.

Elite (14:56-20:14): Singers in this category are considered the upper echelon, often inspiring other vocalists with their technique and mastery. Artists like Brandy, Chris Stapleton, Chris Brown, Usher, Michael Jackson, Adele, Ariana Grande, Christina Aguilera, Jasmine Sullivan, and the Braxton sisters are highlighted here.

Powerhouse (20:14-23:55): This level consists of vocal athletes with incredible range and power, often making listeners stop in their tracks. It includes most gospel singers, along with mainstream artists like Jennifer Hudson, Fantasia, Tina Turner, and Beyoncé.

God Tier (23:55-28:28): The highest level, reserved for generational voices that are unique, immaculate, and have influenced countless other singers. Whitney Houston, Aretha Franklin, Luther Vandross, Mariah Carey, and Celine Dion are placed in this ultimate category.

Top 10 Best James Van Der Beek Performances | LEGACY

This video pays tribute to the legacy of James Van Der Beek, highlighting his top 10 definitive performances in movies and TV. The video acknowledges his passing in February 2026 after a battle with stage three colorectal cancer (0:28-0:31).

Here are some of the key performances discussed:

Simon Tromblé in How I Met Your Mother (0:46): A brief but impactful guest role where James showcased his ability to make a lasting impression as a charming narcissist.

Adam Reese in One Tree Hill (1:43): James played an egotistical movie director, a stark contrast to his Dawson Leery character, providing a hilarious and self-aware performance.

Various voices in Robot Chicken (3:06): This demonstrated his comedic range and self-deprecating humor through various parodies, including his Varsity Blues character.

Lincoln Rogers Dunnison in Texas Rangers (3:57): A departure from teen dramas, this role showed James' commitment to broadening his acting horizons in a rugged frontier setting.

Shawn Baitman in The Rules of Attraction (5:09): A chilling performance that shattered his clean-cut image, showcasing his fearlessness in exploring morally ambiguous characters.

Elijah Mundo in CSI Cyber (6:28): James transitioned into a mature leading man role, bringing quiet intensity and intelligence to his character as an expert in physical forensics.

Matt Bromley in Pose (7:23): His portrayal of a ruthless businessman garnered immense praise, revealing humanity in a character who could have been a one-dimensional villain.

Himself in Don't Trust the B---- in Apartment 23 (8:35): James found comedic gold playing an exaggerated, self-obsessed version of himself, showcasing his meta-humor and comedic chops.

Jonathan Moxon in Varsity Blues (9:37): An iconic role as a brainy, reluctant backup quarterback who challenged the system, becoming a memorable teen movie protagonist of the '90s.

Dawson Leery in Dawson's Creek (11:00): His most iconic role, Dawson became a cultural touchstone defining a generation's hopes, heartbreaks, and anxieties, launching James to superstardom.

Top 10 OSCARS Night Fake Outs | 10 Shocking OSCAR Wins

Here's a breakdown of the shocking moments discussed:

10. The King's Speech wins Best Picture over The Social Network (2011) (1:40): Morris describes this as a "momentum versus inevitability fight," with The Social Network being the perceived frontrunner (1:53).

9. Anthony Hopkins defeats Chadwick Boseman for Lead Actor (2021) (2:50): This was a brutal shock, especially as the show was structured to end with a tribute to Boseman, who had passed away (3:50).

8. Mark Rylance defeats Sylvester Stallone for Supporting Actor (2016) (4:25): Stallone was expected to win for his legacy comeback in Creed, but Rylance took the award (4:30).

7. Olivia Colman defeats Glenn Close for Lead Actress (2019) (5:41): Glenn Close had swept many precursors, making Colman's win for The Favourite a major upset (5:47).

6. Marisa Tomei wins Supporting Actress (1993) (6:35): This win for a relatively unknown actress in a comedic role against established legends created a lasting disbelief (6:40).

5. Adrien Brody defeats Daniel Day-Lewis and Jack Nicholson for Lead Actor (2003) (7:48): Brody's win was unexpected given the strong precursors for Day-Lewis and Nicholson (7:56).

4. Crash wins Best Picture over Brokeback Mountain (2006) (8:51): Brokeback Mountain was the clear favorite, and Crash's win is now widely considered one of the worst Best Picture decisions (9:01).

3. Parasite wins Best Picture over 1917 (2020) (9:53): Despite 1917 having a strong lead in precursors, Parasite's win was a surprising and historic moment, signifying the industry's maturation (10:06).

2. Shakespeare in Love defeats Saving Private Ryan for Best Picture (1999) (10:47): Saving Private Ryan was heavily favored, and the upset is attributed to aggressive campaigning by Harvey Weinstein (11:00).

1. Moonlight upsets La La Land for Best Picture (2017) (12:17): This was the ultimate shock due to La La Land's dominant run and the live TV error during the announcement, making it a truly unforgettable Oscar moment (12:30).

Gerald also encourages viewers to share their own most shocking Oscar moments and promotes his channel memberships (13:39).

10 Celebrities with the Craziest Dating History

This video highlights 10 celebrities with the most "jaw-dropping romantic résumés" (0:09). It details their relationships, ranging from whirlwind romances and engagements to marriages and divorces, often noting the public and media attention surrounding them. 

 The celebrities featured include:

 Pete Davidson (0:00-0:06, 12:54-13:59): Known for his high-profile engagements and relationships with stars like Ariana Grande, Kate Beckinsale, Kim Kardashian, and currently Elsie Hewitt. 

Britney Spears (0:21-1:31): Her love life is described as a "Hollywood roller coaster," featuring relationships with Justin Timberlake, short-lived marriages, and multiple engagements. 

Billy Corgan (1:42-2:38): The Smashing Pumpkins frontman's dating history includes Courtney Love, a marriage to Chris Fabian, and relationships with Yolena Yamchuk, Jessica Simpson, and his current wife, Chloe Mandel. 

Katy Perry (2:52-4:00): Her dating history is "packed with high-profile romances," including Johnny Lewis, Travie McCoy, a marriage to Russell Brand, and a long-term relationship with Orlando Bloom.

 Charlize Theron (4:02-5:09): Her love life includes actors like Craig Bierko, Stuart Townsend, and Sean Penn, with rumored flings with George Clooney and Keanu Reeves. 

John Mayer (5:10-6:20): Has a dominant presence in Hollywood not just for his music but also for his love life, dating Jennifer Love Hewitt, Jessica Simpson, Jennifer Aniston, Taylor Swift, and Katy Perry. Grace Kelly (6:30-7:30): Before becoming Princess of Monaco, she captivated Hollywood with flings and relationships with stars like Gary Cooper, William Holden, and Clark Gable, eventually marrying Prince Rainier III. 

Scarlett Johansson (7:41-8:43): Her romantic journey began in high school, followed by significant relationships and marriages to Ryan Reynolds and Roman Dauriac, and she is currently married to Colin Jost.

 Ben Affleck (8:54-10:11): His love life is portrayed as a "Hollywood romance miniseries," including relationships with Gwyneth Paltrow, two separate highly publicized "Bennifer" eras with Jennifer Lopez, and a marriage to Jennifer Garner.

 Leonardo DiCaprio (10:12-11:25): The video notes his consistent trend of dating younger models and actresses, including Gisele Bündchen, Bar Refaeli, Blake Lively, and currently Vittoria Ceretti. Honorable mentions include Alex Pettyfer (11:30), Amanda Seyfried (11:45), Rachel McAdams (11:59), Halle Berry (12:10), and Kate Hudson (12:26).

Top 20 Celeb Reactions to Glee Covers of Their Songs

This video highlights the top 20 reactions from celebrities whose songs were covered on the TV show Glee (0:08). These reactions ranged from thrilled approval to outright criticism. 

 Highlights include: CeeLo Green (0:22) loved Gwyneth Paltrow's rendition of "Forget You" (0:36), saying she sang it better than he did and even performing it together at the Grammys.

 Jonathan Coulton (1:16) was upset that his acoustic version of "Baby Got Back" was used without his consent (1:46), and he publicly called Glee out for not crediting him. 

A Great Big World (2:14) was thrilled their song "This Is the New Year" (2:23) was featured, as they had hoped it would be included on the show. 

Madonna (3:09) gave her ultimate seal of approval for the episode dedicated to her (3:13), praising the writing and specific performances like "Vogue" and "Express Yourself" (3:36). 

Demi Lovato (4:03) thanked Lea Michele on Twitter for her amazing rendition of "Give Your Heart a Break" (4:13). Prince (5:01) strongly disliked Glee's cover of "Kiss" (5:10), lamenting that covers allow others to claim existing work as their own (5:31). 

Gotye (5:58) criticized the autotuned vocals of "Somebody That I Used to Know" (6:09), but later found other elements of the cover impressive (6:35).

 Journey (6:56) initially worried their song "Don't Stop Believin'" (7:19) would sound cheesy, but later realized how much the show introduced their music to a new generation (7:29). 

My Chemical Romance (7:56) frontman Gerard Way approved of Glee's cover of "Sing" (8:07) to provoke conservative commentator Glenn Beck (8:24). 

Billy Joel (8:59) gave Glee full permission to use his music (9:17) years before his tribute episode, delighted that his songs resonated with younger generations (9:40). 

Lady Gaga (11:01) reportedly enjoyed the covers of her songs, fulfilling her dream of students singing her music (11:47). 

Katy Perry (12:03) was "smitten" with Blaine's performance of "Teenage Dream" (12:34), tweeting that it brought a tear to her eye (12:46). Britney Spears (13:00) had positive feelings for the show, guest-starring in an episode and live-tweeting her reactions to performances (13:14). 

Slash (14:02) from Guns N' Roses is "anti-Glee" (14:21), comparing the series unfavorably to Grease (14:24). Nicki Minaj (14:49) surprisingly loved Sue Sylvester's performance of "Super Bass" (15:01), despite many fans considering it one of the show's worst covers (15:36). 

Florence Welch (15:53) of Florence + The Machine was thrilled with the cover of "Dog Days Are Over" (16:20), calling it an "amazing Christmas present" (16:36). 

Miley Cyrus (17:05) expressed her distaste for Glee (17:47), musicals, and even pop music in general (17:51). Kesha (18:11) praised the performance of her debut single "Tik Tok" (18:32), despite finding the "alien puke" scene confusing (18:56). 

Amy Winehouse (19:21) was a surprising fan of Glee, tweeting about her love for the show and commending the Vocal Adrenaline cover of "Rehab" (20:03).

Final Razzie Awards Predictions 2026!

In this video, Brian Rowe shares his predictions for the 2026 Razzie Awards, having watched almost all the nominated films (0:00).

 He describes the nominated movies as a "horrible crop" and "terrible" (0:29-0:39), stating that he doesn't need to defend any of them (1:51). He goes through each major category, predicting the winners: 

 Worst Picture: Rowe predicts War of the Worlds (1:59). He considers it the worst film of the year, describing it as "barely a movie," "stupid," and "boring" (3:35-4:16). 

Worst Actor: He predicts Ice Cube for War of the Worlds (5:00). He criticizes Ice Cube's performance as "terrible" and "god-awful acting for the ages" (9:14-9:31). He also mentions Abel Tesfaye (The Weeknd) in Hurry Up Tomorrow as a strong contender, noting his poor acting (5:40-5:50). 

Worst Actress: Rowe predicts Michelle Yeoh for Star Trek Section 31 (9:54). Despite her recent Oscar win, he finds her performance "pretty bad" and believes the film's other nominations make her a likely winner (14:02-15:29). 

Worst Supporting Actor: He predicts Sylvester Stallone for Alarm (16:00). He states that Stallone "phones in that performance like you've never seen" and calls it one of his worst performances ever (17:52-19:07). 

Worst Supporting Actress: He predicts Scarlet Rose Stallone for Gunslingers (19:20). He notes her "very stiff" and emotionless acting, believing her last name will sway voters (21:42-22:45). 

Worst Remake, Rip-Off, or Sequel: Rowe predicts War of the Worlds (22:47), although he acknowledges Snow White is a strong contender (23:09-23:41). 

Worst Screen Combo: He predicts Ice Cube and his Zoom camera for War of the Worlds (25:24), calling it "one of the worst I've seen in many years" (26:31-26:45). 

Worst Director: He predicts Rich Lee for War of the Worlds (27:01), emphasizing that War of the Worlds deserves to sweep the awards (28:51-29:36). 

Worst Screenplay: Unsurprisingly, he predicts War of the Worlds (29:39). Rowe concludes by reiterating his belief that War of the Worlds is one of the worst films ever made and deserves to sweep the Razzie Awards (30:40-30:57).

Top 20 Best Movies of the 2020s So Far

This video from WatchMojo.com presents a countdown of the top 20 best films released since 2020, featuring a diverse selection of genres and styles. The list includes animated films, dramas, action blockbusters, and thought-provoking character studies. Here's a breakdown of the top movies:

  Soul (0:21-1:37): A Pixar animation lauded for its profound exploration of life, death, and human nature, praised for both its technical brilliance and storytelling. Challengers (1:40-2:48): A steamy character study that uses tennis as an allegory for complex relationships and the drive to be the best. RRR (2:48-3:47): A powerful Indian epic that seamlessly blends action, musical, and buddy-picture genres with inventive sequences. Barbie (3:54-5:01): A game-changing film that redefined what a toy-based movie can be, balancing commercial appeal with a meaningful message and appealing to all ages. Top Gun Maverick (5:04-6:05): A successful resurrection of a classic franchise, praised for its spectacular action and immersive big-screen experience. Nomadland (6:14-7:17): A profoundly emotional film about a woman's journey across the American West after losing everything, offering a hopeful message amidst challenging times. Weapons (7:37-8:27): A horror film that masterfully creates an unsettling atmosphere and ambiguous narrative around the disappearance of children. Hamnet (8:38-9:29): A heartbreaking and powerfully acted movie that offers a fictionalized, yet excruciatingly real, portrayal of William Shakespeare and his wife's grief. Killers of the Flower Moon (9:35-11:19): An epic crime drama that sheds light on the overlooked Osage murders, featuring chilling performances and a masterful direction by Martin Scorsese. The Substance (11:22-12:29): A satirical horror film that critiques society's obsession with youth and beauty, with masterful performances and haunting visuals. 

The Holdovers (12:35-13:41): A warm Christmas classic that meticulously captures the look and tone of a 70s dramedy, exploring themes of isolation and unexpected humanity. Godzilla Minus One (13:58-14:52): A monster film that excels in kaiju carnage while also delivering a heartbreaking human story, returning to the franchise's allegorical roots. Marty Supreme (15:06-16:09): A frantic sports epic praised for its adrenaline-pumping pace and comparisons to other studies in decadence. Spider-Man: Across the Spider-Verse (16:11-17:10): An animated film that pushes the boundaries of animation and superhero storytelling, delivering a visual feast.

  Everything Everywhere All at Once (17:13-18:21): A critically acclaimed film that blends comedy, action, and philosophical themes, praised for its originality and ensemble cast. 

Sinners (18:24-19:43): A masterful blend of horror, western, and musical elements that thoughtfully explores racism. Anora (19:50-20:50): A film described as Pretty Woman meets reality, featuring a compelling protagonist and a sincere love story amidst chaotic events. One Battle After Another (20:58-22:09): A comedic thriller that captures the chaos and hope of 2025, praised for its action-packed direction and alignment with the current political climate. 

Dune Part Two (22:25-23:29): The second half of a faithful adaptation of Frank Herbert's sci-fi novel, lauded for improving on the source material and its compelling narrative. Oppenheimer (25:44-26:46): Christopher Nolan's historical drama that masterfully combines science, moral complexities, and the creation of the atomic bomb, delivered with stunning visuals and sound. The video also includes honorable mentions such as Licorice Pizza (23:33), Poor Things (23:56), The Wild Robot (24:18), The Batman (24:42), and The Brutalist (25:02).

Timeline TV: The 90s - Everything That Happened In TV In The 90s | Compilation

 

 This video offers a comprehensive journey through the pivotal moments and trends that shaped television in the 1990s. It covers the debut of influential shows, technological advancements, and cultural phenomena that defined the decade's TV landscape. Here's a year-by-year breakdown of key highlights: 1990 (0:00-0:15): The decade began with anticipation for new series and the promise of a big decade for the TV business, including new technologies and show types. This year saw the pilot of Mr. Bean (1:09). 1991 (12:40): Key debuts included Home Improvement (12:40), Rugrats (15:58), and The Ren & Stimpy Show (16:30), marking a shift in animation. 1992 (25:22): Noteworthy events included Bill Clinton's appearance on The Arsenio Hall Show (33:06) and the premiere of The Real World (26:01). 1993 (42:09): This year introduced shows like Dr. Quinn, Medicine Woman, Monday Night Raw, and Living Single (42:26). The X-Men animated series also debuted (40:46), and The Contest episode of Seinfeld aired (41:03). 1994 (54:14): This year marked the debut of popular shows such as Friends (54:14) and ER (54:14), and saw the launch of the Food Network (53:19). 1995 (1:06:36): New networks like WB (1:07:45) and UPN (1:08:09) launched. The O.J. Simpson murder trial (1:09:29) was a major televised event, and Seinfeld's "The Soup Nazi" episode aired (1:17:43). 1996 (1:18:58): The Dish Network began broadcasting (1:22:12), Doctor Who was revived with a TV movie (1:22:46), and Blue's Clues debuted (1:26:57). 1997 (1:32:11): This year saw the launch of Fox News Channel (1:29:50) and the popular Pop-Up Video on VH1 (1:30:30). The Simpsons also aired the fan-favorite episode "You Only Move Twice" (1:31:10). 1998 (1:46:34): HDTV hit the shelves (1:46:37), and Friends aired "The One with the Embryos" (1:48:17). The localized English version of Pokémon debuted (1:55:34). 1999 (1:59:37): The decade closed with the debut of The Sopranos (2:00:56), The Daily Show with Jon Stewart (2:02:00), and SpongeBob SquarePants (2:06:05). The 1990s was a significant decade for television, characterized by several defining elements (0:18): New Technologies (0:23): The decade saw the introduction of innovations that changed how people watched TV, including the debut of HDTV (1:46:37) and the DVR (2:00:13), which allowed viewers to record and watch shows later. New Types of Shows (0:23): There was a diversification of genres and formats, including the rise of serialized mystery shows like Twin Peaks (4:28), sketch comedy series like In Living Color (5:06), and the growth of reality television with shows like The Real World (26:01). Birth of Major Hits and Franchises (0:25): The 90s launched some of the biggest and most enduring TV series and franchises, such as The Fresh Prince of Bel-Air (8:14), Beverly Hills, 90210 (10:56), The X-Files (49:08), Friends (59:45), ER (1:00:23), and The Sopranos (2:00:56). Expansion of Cable and New Networks (17:11): The cable landscape expanded with the merger of comedy channels into Comedy Central (17:20) and the launch of new networks like WB (1:07:45) and UPN (1:08:09). Cultural Impact and Controversy: TV often reflected and influenced cultural debates, such as the first same-sex kiss on network television in LA Law (14:36) and the ongoing controversy over violence and language, leading to the implementation of a new TV rating system (1:33:21).

10 Actors Whose Careers Tanked After Winning Oscars

This video discusses ten actors whose careers significantly declined after winning an Oscar, a phenomenon often called the "Oscars' curse" (0:00).

Here's a breakdown of the actors and their post-Oscar career struggles:

• Cuba Gooding Jr. (0:32): After winning for Jerry Maguire (0:51), his career was largely defined by straight-to-video action films, and he faced accusations of sexual misconduct.
• Faye Dunaway (1:54): Her career "fell off a cliff" (2:09) after winning for Network, leading to appearances in critically panned films and low-budget TV movies.
• Halle Berry (3:07): Despite her Oscar for Monster's Ball (3:11), she has been "massively wasted by Hollywood" (4:04) with a filmography full of flops like Catwoman (3:33) and Moonfall (3:46).
• Roberto Benigni (4:35): His career as a filmmaker and actor was torpedoed by the massive failure of Pinocchio (5:20) after winning for Life is Beautiful (4:41).
• Alicia Vikander (6:17): Since her Oscar for The Danish Girl (6:31), she has been in a "rut of largely mediocre to bad projects" (6:28), with few films connecting with critics or audiences.
• Mira Sorvino (7:32): After her Oscar for Mighty Aphrodite (7:40), her career stalled due to alleged blacklisting by Harvey Weinstein (7:56) after she rejected his advances.
• Mo’Nique (8:57): Despite universal acclaim and an Oscar for Precious (9:08), she claims to have been blacklisted (9:44) from Hollywood for refusing unpaid promotional duties.
• Jean Dujardin (10:26): After winning for The Artist (10:36), his Hollywood career quickly evaporated (11:02), largely due to his preference for working in his native France and a limited grasp of English.
• Kim Basinger (11:24): Her post-Oscar career after winning for LA Confidential (11:30) is "littered with duds" (11:56), despite her deserving more prominent roles.
• Jared Leto (12:44): Since winning for Dallas Buyers Club (12:54), his performances and film choices, such as Suicide Squad (13:08), have often been panned and critically disappointing

• The video highlights several reasons why actors might struggle to find good roles after winning an Oscar, often referring to it as the "Oscars' curse" (0:00). These include:

  • Poor Project Choices: Many actors, such as Cuba Gooding Jr. (1:07) and Halle Berry (3:21), began appearing in critically panned or commercially unsuccessful films after their wins.
  • Massive Flops: A single, significant box office bomb can torpedo an actor's career, as seen with Roberto Benigni's Pinocchio (5:43).
  • Industry Blacklisting: Some actors, like Mira Sorvino (7:56) and Mo’Nique (9:44), claim their careers were adversely affected or they were actively blocked from roles due to turning down advances or refusing unpaid promotional duties.
  • Personal Preference/Language Barrier: Jean Dujardin's (11:07) career in Hollywood declined because he reportedly preferred working in his native France and had a limited grasp of English.
  • Past Controversies: Cuba Gooding Jr.'s career was further impacted by accusations of unwanted sexual touching (1:44).

  Beyond these specific instances, the "Oscar curse" is also attributed to the immense pressure on winners to surpass their previous success, leading to impossible expectations for subsequent performances. The industry may also pigeonhole actors or offer fewer challenging roles, especially to women and minorities, or they may lose their "underdog" narrative that fueled their Oscar campaigns.

MOVIE QUOTES THAT HIT HARDER THAN LIFE

This video, titled "MOVIE QUOTES THAT HIT HARDER THAN LIFE", is a compilation of powerful and motivational quotes from various films, speeches, and animated classics, designed to offer life lessons and inspiration.

Key themes and memorable quotes include:

• Taking Responsibility: The importance of being a man who takes care of his family and makes sure people "do right by you" (0:50 - 1:36).
• Power and Respect: Discussions on whether it's better to be loved or feared, emphasizing that "fear lasts longer than love" and the importance of earning respect without being hated (1:40 - 2:18).
• Choices and Destiny: The idea that "it is not our abilities that show what we truly are. It is our choices" (7:00 - 7:05), and that sometimes "one often meets his destiny on the road he takes to avoid it" (16:20 - 16:23).
• Facing Challenges: Encouragement to "jump" when it feels scary (7:43 - 7:49) and the famous Yoda quote, "Do or do not. There is no try" (7:57 - 8:01).
• Resilience: The question "Why do we fall, sir?" answered with "So that we can learn to pick ourselves up" (9:25 - 9:32).
• The Nature of Reality: Reflections on life's rapid pace, the choice between "get busy living or get busy dying" (9:39 - 9:52), and the idea that "it's only after we've lost everything that we're free to do anything" (10:10 - 10:14).
• Societal Critique: A segment from Fight Club criticizing consumerism and a sense of lost purpose in modern society (10:29 - 10:57).
• Self-Acceptance: The message that "your story may not have such a happy beginning, but that doesn't make you who you are. It is the rest of your story. Who you choose to be" (16:04 - 16:15).
• Finding Happiness: The quote from Harry Potter, "Happiness can be found even in the darkest of times if one only remembers to turn on the light" (13:23 - 13:32).
• The Power of Belief: The idea that there's "no secret ingredient" to making something special; "you just have to believe it's special" (18:13 - 18:30).

The video uses these quotes to inspire viewers to reflect on their lives, embrace challenges, and strive for personal growth.