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Showing posts with label list. Show all posts

If I Chose the Oscar Winners 2026!

In this video, Brian, the host of The Awards Contender, shares his personal picks for the winners of the 98th Academy Awards, if he were an Academy member (0:04-0:12). He covers various categories, starting with the "below-the-line" technical categories and then moving on to the top eight major awards (0:25-0:29).


Here's a breakdown of his choices and reasoning:


Best Animated Feature: Brian chooses K-pop Demon Hunters, praising it as a "lovely surprise" (1:08-1:26).

Best Casting: Having worked in casting previously, Brian highlights the difficulty of the job and selects Marty Supreme for its creative and brilliant casting choices (1:30-2:56).

Best Cinematography: He picks One Battle After Another, his favorite film of the year, specifically commending the third act's car chase scene (3:34-5:01).

Best Costume Design: Brian leans towards Frankenstein due to the variety and superb quality of its costumes, especially Mia Goth's outfits (5:54-6:58).

Best Documentary Feature Film: He emotionally selects Come See Me in the Good Lights, an LGBTQ+ documentary about a couple's journey through illness (7:28-8:07).

Film Editing: Brian votes for One Battle After Another, emphasizing its extraordinary editing that seamlessly navigates different storylines and characters (9:19-10:27).

International Feature Film: His choice is Sentimental Value, which he considers brilliantly written, directed, and acted (11:00-11:49).

Makeup and Hair Styling: Brian's clear pick is Frankenstein for Jacob Elordi's "all-timer" makeup (12:24-12:52).

Best Original Score: He selects Bugonia for its boldness and creativity, though he also expresses disappointment that Marty Supreme wasn't nominated (13:36-14:23).

Original Song: Brian chooses "I Lied to You" from Sinners, appreciating its deeper role in the film's narrative compared to other nominees (14:45-15:27).

Production Design: He again picks Frankenstein, commending its outstanding production design that "wows the viewer" (15:30-16:37).

Best Sound: Brian's vote goes to Sinners for its phenomenal sound design, particularly the blending of music with action and terror scenes (17:08-17:40).

Best Visual Effects: He unequivocally chooses Avatar: Fire and Ash, acknowledging its astonishing and seamless visual effects work (17:45-18:59).

Best Adapted Screenplay: Brian selects One Battle After Another, driven by his desire to see Paul Thomas Anderson finally win an Oscar (19:23-20:28).

Best Original Screenplay: He picks Marty Supreme, considering it a masterpiece (20:51-21:43).

Best Supporting Actor: His vote goes to Shawn Penn for One Battle After Another, highlighting his "villain character for the ages" (22:44-24:43).

Best Supporting Actress: Brian makes it a "landslide" choice for Amy Madigan in Weapons, praising her impressive performance (25:53-26:32).

Best Actor: He chooses Timothy Chalamet for Marty Supreme, calling his performance an "all-timer" (27:40-28:45).

Best Actress: Brian picks Jesse Buckley for Hamnet, deeming it the "performance of the year" that deeply moved him (29:24-30:39).

Best Director: He again selects Paul Thomas Anderson for One Battle After Another, emphasizing his long-awaited Oscar win (30:42-32:30).

Best Picture: As his favorite film of 2025, Brian's ultimate choice for Best Picture is One Battle After Another (32:59-33:33).

20 Reasons America's Next Top Model Hasn't Aged Well


This video from MsMojo details 20 reasons why America's Next Top Model (ANTM) has not aged well, highlighting problematic aspects that have become more apparent over time (0:09-0:16).

Here's a breakdown of the key issues discussed:

Exploitation and Underuse of International Destinations (0:26-1:52): The show traveled to various fashion capitals but often underutilized these locations, using them as superficial backdrops rather than integrating local culture or fashion.
Lack of Compensation for Labor (1:52-2:57): Contestants reportedly worked long hours without proper breaks or legal wages, highlighting the exploitative nature of reality TV labor practices.
Focus on Drama Over Actual Modeling Skills (2:57-4:05): Later seasons prioritized manufactured drama, social media voting, and personal storytelling over teaching fundamental modeling techniques, diminishing the show's credibility.
Inconsistent Career Outcomes for Winners (4:19-5:26): Many winners struggled to achieve high-profile modeling careers post-show, with some finding more success in acting, contradicting the show's promise of fame.
Rescinding a Winner's Title Over Personal History (5:41-6:58): The controversial disqualification of Angelie Preston due to past work as an escort, despite producers allegedly knowing beforehand, highlighted the show's image protection tactics.
Manipulative Editing to Create Drama (6:58-8:02): Footage was often edited to amplify conflict, turn amicable relationships into feuds, and exaggerate personality traits for entertainment.
Ageism (8:14-9:05): The show increasingly marginalized contestants over their early 20s, mirroring industry ageism and contradicting claims of inclusivity.
Questionable Makeovers (9:18-10:36): Makeover episodes, though a signature moment, were often traumatic for contestants, involving extreme changes without full consideration for their well-being.
Contestants Turned Against Each Other (10:36-11:46): Producers allegedly stoked conflict among contestants through various tactics, creating manufactured rivalries and exploiting vulnerabilities.
Sleep Deprivation and Stress Production (11:49-12:54): Production intentionally induced stress by depriving contestants of sleep to elicit dramatic reactions and confrontations.
Tyra Banks's Behavior (13:10-14:24): Re-watching the series reveals problematic critiques from Tyra Banks and other judges, such as mocking a contestant for not wanting to fix a gap in her teeth.
Shading the Intellectuals (14:24-15:38): Contestants pursuing higher education were often discouraged from their academic paths in favor of focusing solely on modeling.
Personal Tragedy as Entertainment (15:38-17:15): The show exploited contestants' personal tragedies for dramatic effect, such as encouraging a contestant to use her grief for a photo shoot or pressuring another to face her trauma on camera.
Putting Contestants in Danger (17:15-18:20): Some photo shoots and challenges were hazardous, involving extreme conditions like walking in high heels on unstable runways or posing in frigid waters.
Pressure to Be Nude (18:20-19:40): Contestants were often pressured into nude photo shoots, with those uncomfortable facing criticism and shame.
Treatment of Disabilities (19:40-20:55): The show made no concessions for contestants with disabilities and often used their conditions to create drama.
Normalizing Toxic Behavior (20:55-22:05): Contestants endured inappropriate behavior, including kissing a racist model or experiencing sexual harassment, being told it was "part of the industry."
LGBTQ+ Discrimination (22:05-23:17): Despite including diverse contestants, LGBTQ+ participants like Isis King and Ebony Haith faced discrimination and lack of acceptance from fellow models and judges.
Cultural Appropriation and Black or Brownface (23:17-24:28): The show featured problematic photo shoots that treated ethnicity as exotic, including instances of blackface and cultural appropriation.
Obsession with Weight (24:43-26:12): Sizeism was a recurring issue, with models criticized for weight gain, and skinniness equated with health, leading to contestants struggling with eating disorders.

The 7 Levels of Singer


This video categorizes singers into seven distinct levels (0:00), from "Tone Deaf" to "God Tier," based on their vocal ability across various popular genres like Pop, R&B, Gospel, Country, and Rock.

Here's a breakdown of each level:

Tone Deaf (0:18-2:25): This level includes individuals who cannot sing under any circumstances, often making music for fun or for meme potential. Examples include Paris Hilton, Kim Kardashian, and certain autotune rappers who use the effect incorrectly.
Studio Magic (2:25-5:17): Artists at this level can hold a note and sound good on record but heavily rely on studio production (autotune, pitch correction) and may struggle with live performances. This category often includes former Disney and Nickelodeon child actors like Selena Gomez and Hillary Duff, as well as some influencers.
Not Bad (5:17-9:38): These singers can perform well with or without autotune but may have had notoriously bad live performances or their singing is considered basic. JLo, Britney Spears, Enrique Iglesias, Fergie, and Rihanna are placed in this level.
Great (9:38-14:56): This level features artists with good tone and control, who perform consistently well both on records and live. They understand their vocal strengths and limitations. Examples include Demi Lovato, Bruno Mars, Billie Eilish, Harry Styles, and Justin Bieber, as well as many top country artists.
Elite (14:56-20:14): Singers in this category are considered the upper echelon, often inspiring other vocalists with their technique and mastery. Artists like Brandy, Chris Stapleton, Chris Brown, Usher, Michael Jackson, Adele, Ariana Grande, Christina Aguilera, Jasmine Sullivan, and the Braxton sisters are highlighted here.
Powerhouse (20:14-23:55): This level consists of vocal athletes with incredible range and power, often making listeners stop in their tracks. It includes most gospel singers, along with mainstream artists like Jennifer Hudson, Fantasia, Tina Turner, and Beyoncé.
God Tier (23:55-28:28): The highest level, reserved for generational voices that are unique, immaculate, and have influenced countless other singers. Whitney Houston, Aretha Franklin, Luther Vandross, Mariah Carey, and Celine Dion are placed in this ultimate category.

Top 10 Best James Van Der Beek Performances | LEGACY


This video pays tribute to the legacy of James Van Der Beek, highlighting his top 10 definitive performances in movies and TV. The video acknowledges his passing in February 2026 after a battle with stage three colorectal cancer (0:28-0:31).

Here are some of the key performances discussed:

Simon Tromblé in How I Met Your Mother (0:46): A brief but impactful guest role where James showcased his ability to make a lasting impression as a charming narcissist.
Adam Reese in One Tree Hill (1:43): James played an egotistical movie director, a stark contrast to his Dawson Leery character, providing a hilarious and self-aware performance.
Various voices in Robot Chicken (3:06): This demonstrated his comedic range and self-deprecating humor through various parodies, including his Varsity Blues character.
Lincoln Rogers Dunnison in Texas Rangers (3:57): A departure from teen dramas, this role showed James' commitment to broadening his acting horizons in a rugged frontier setting.
Shawn Baitman in The Rules of Attraction (5:09): A chilling performance that shattered his clean-cut image, showcasing his fearlessness in exploring morally ambiguous characters.
Elijah Mundo in CSI Cyber (6:28): James transitioned into a mature leading man role, bringing quiet intensity and intelligence to his character as an expert in physical forensics.
Matt Bromley in Pose (7:23): His portrayal of a ruthless businessman garnered immense praise, revealing humanity in a character who could have been a one-dimensional villain.
Himself in Don't Trust the B---- in Apartment 23 (8:35): James found comedic gold playing an exaggerated, self-obsessed version of himself, showcasing his meta-humor and comedic chops.
Jonathan Moxon in Varsity Blues (9:37): An iconic role as a brainy, reluctant backup quarterback who challenged the system, becoming a memorable teen movie protagonist of the '90s.
Dawson Leery in Dawson's Creek (11:00): His most iconic role, Dawson became a cultural touchstone defining a generation's hopes, heartbreaks, and anxieties, launching James to superstardom.

Top 20 Best Movies of the 2020s So Far


This video from WatchMojo.com presents a countdown of the top 20 best films released since 2020, featuring a diverse selection of genres and styles. The list includes animated films, dramas, action blockbusters, and thought-provoking character studies. Here's a breakdown of the top movies:
  Soul (0:21-1:37): A Pixar animation lauded for its profound exploration of life, death, and human nature, praised for both its technical brilliance and storytelling. Challengers (1:40-2:48): A steamy character study that uses tennis as an allegory for complex relationships and the drive to be the best. RRR (2:48-3:47): A powerful Indian epic that seamlessly blends action, musical, and buddy-picture genres with inventive sequences. Barbie (3:54-5:01): A game-changing film that redefined what a toy-based movie can be, balancing commercial appeal with a meaningful message and appealing to all ages. Top Gun Maverick (5:04-6:05): A successful resurrection of a classic franchise, praised for its spectacular action and immersive big-screen experience. Nomadland (6:14-7:17): A profoundly emotional film about a woman's journey across the American West after losing everything, offering a hopeful message amidst challenging times. Weapons (7:37-8:27): A horror film that masterfully creates an unsettling atmosphere and ambiguous narrative around the disappearance of children. Hamnet (8:38-9:29): A heartbreaking and powerfully acted movie that offers a fictionalized, yet excruciatingly real, portrayal of William Shakespeare and his wife's grief. Killers of the Flower Moon (9:35-11:19): An epic crime drama that sheds light on the overlooked Osage murders, featuring chilling performances and a masterful direction by Martin Scorsese. The Substance (11:22-12:29): A satirical horror film that critiques society's obsession with youth and beauty, with masterful performances and haunting visuals. 
The Holdovers (12:35-13:41): A warm Christmas classic that meticulously captures the look and tone of a 70s dramedy, exploring themes of isolation and unexpected humanity. Godzilla Minus One (13:58-14:52): A monster film that excels in kaiju carnage while also delivering a heartbreaking human story, returning to the franchise's allegorical roots. Marty Supreme (15:06-16:09): A frantic sports epic praised for its adrenaline-pumping pace and comparisons to other studies in decadence. Spider-Man: Across the Spider-Verse (16:11-17:10): An animated film that pushes the boundaries of animation and superhero storytelling, delivering a visual feast.
  Everything Everywhere All at Once (17:13-18:21): A critically acclaimed film that blends comedy, action, and philosophical themes, praised for its originality and ensemble cast. 
Sinners (18:24-19:43): A masterful blend of horror, western, and musical elements that thoughtfully explores racism. Anora (19:50-20:50): A film described as Pretty Woman meets reality, featuring a compelling protagonist and a sincere love story amidst chaotic events. One Battle After Another (20:58-22:09): A comedic thriller that captures the chaos and hope of 2025, praised for its action-packed direction and alignment with the current political climate. 
Dune Part Two (22:25-23:29): The second half of a faithful adaptation of Frank Herbert's sci-fi novel, lauded for improving on the source material and its compelling narrative. Oppenheimer (25:44-26:46): Christopher Nolan's historical drama that masterfully combines science, moral complexities, and the creation of the atomic bomb, delivered with stunning visuals and sound. The video also includes honorable mentions such as Licorice Pizza (23:33), Poor Things (23:56), The Wild Robot (24:18), The Batman (24:42), and The Brutalist (25:02).